condition: (as determined by the twenty-ninth junto project) make a field recording of source material that involves running water to act as a foundation for a sound work providing both rhythmic and melodic material. add elements and treatments to the foundation recording, with the intention of highlighting the water’s internal sense of rhythm and melody, while keeping the original recording recognizable. duration should be between 2 and 4 minutes.
process: melodic content was produced from a field recording of a river as the only source material using a resonant filter and reel to reel tape loops. the recording documents the gradual removal of elements allowing different elements to surface.
condition: (as determined by the sixth junto project) select one distinct element from each of the three following recordings (1,2,3) and construct something new from them. (do not add any other sounds, though certainly use any sorts of processing that you might choose.) keep your finished piece to between two and five minutes. all three tracks are archival songs originally released on antique edison cylinders in the late 1800s and very early 1900s.
all audio selected from these antique cylinder recordings: