a very early summer


condition: (as determined by the eleventh junto project) make a field recording of a rhythmic sound. use this recording as the main rhythmic element in your track while adding any additional elements. duration should be between 2-5 minutes.

process: field recording made of the asynchronous rhythms of passing traffic from under a freeway overpass in minneapolis, mn. additional performances of acoustic guitar and violin were added in two passes (one for each instrument), recorded on to 4-track open reel tape.

for field recording, acoustic guitar, violin, spring reverb and tape loops

reworking nearly there

nearly there (david andree rework)

reworking ‘nearly there’ by marcus fischer as part of the disquiet junto project adding the following condition: created in single session, in two passes.

for recordings, acoustic guitar, violin, tape and spring reverb.

a tonal cloud (shō study)




i have always been interested in building up atmospheric drones and have lately become obsessed with the traditional japanese instrument known as a shō. the free reed instrument is powered by breath and uses metal reeds tuned with wax attached to the bottom of 15 bamboo pipes (17 pipes total). the instrument traditionally serves the purpose of ‘freezing’ a melody into a kind of floating cloud for other instruments to occupy.

this audio work attempts to approximate some of the tonal qualities of the shō using a harmonium transitioning between the traditional chords ‘ge’ and ‘otsu.’ once an atmosphere of floating tones was created, improvised violin and acoustic guitar were interwoven using a stereo tape feedback loop and a closed tape loop.