reworking nearly there

[soundcloud]http://soundcloud.com/davidandree/nearly-there-disquiet0004[/soundcloud]
nearly there (david andree rework)

reworking ‘nearly there’ by marcus fischer as part of the disquiet junto project adding the following condition: created in single session, in two passes.

for recordings, acoustic guitar, violin, tape and spring reverb.

frimsk session

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played an improvised session with promethean k. frimsk recently. the intention was to record percussive audio demonstrations for a short run of contact microphone surfaces that will be for sale soon, but the session evolved into us just improvising off of each other for a while. the following are two excerpts taken from the session.

one:

two:

promethean k. frimsk : contact microphone surface, percussion, objects, toy piano, resonant filter.

david andree : acoustic guitar, contact microphone surface, brushes, objects, 2880, tape loop.

a tonal cloud (shō study)

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i have always been interested in building up atmospheric drones and have lately become obsessed with the traditional japanese instrument known as a shō. the free reed instrument is powered by breath and uses metal reeds tuned with wax attached to the bottom of 15 bamboo pipes (17 pipes total). the instrument traditionally serves the purpose of ‘freezing’ a melody into a kind of floating cloud for other instruments to occupy.

this audio work attempts to approximate some of the tonal qualities of the shō using a harmonium transitioning between the traditional chords ‘ge’ and ‘otsu.’ once an atmosphere of floating tones was created, improvised violin and acoustic guitar were interwoven using a stereo tape feedback loop and a closed tape loop.